Canyon Wall 2
I recently read a delightfully imaginative novel by Ursula K. LeGuin, "Changing Planes".
In it, the narrator discovers that due to bad food, awful seating
and boredom, travelers awaiting their late flights in airports can learn
how to visit other "planes" or cultural worlds.
"She had discovered that, by a mere kind of twist and slipping bend,
easier to do than describe, she could go anywhere---be anywhere---
because she was already between planes."
I've been working on some imaginary landscapes using only black and white paint
and they seem to resonate to LeGuin's premise. Although I am not stuck in an airport,
I think that artists transport themselves to alternate planes all the time!
My only intention for these paintings was to open myself to the organic, the wild, the out of doors,
using memory of past experiences, and calling upon landscape painting techniques
I've used in the past.
Mud Season On Vetiver Island
They have become places that could be real!
The photos somehow add some bluish color to these 18x14 paintings on wood panels,
all done using only white paint and black gesso mix, and charcoal.
Under The Bridge At Winter Pass
The three pieces all feel a little dream-like but familiar,
as if I am indeed a visitor to landscapes that exist
peripherally and very near!
The three pieces all feel a little dream-like but familiar,
as if I am indeed a visitor to landscapes that exist
peripherally and very near!



3 comments:
I agree dreamlike is a very good descriptive word for these new landscapes. Peace, Mary Helen
Marie, the top painting is so familiar it reminds me of the Gabriola Cliffs on the next island over!
Thanks Mary Helen. I am enjoying working on this series.
Carole, after I painted this, my sister showed me her sides from New Mexico & the canyon wall resembled them also. Funny how the mind & hand work together to show the essence of nature. Thanks for the comment.
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